So, I haven’t posted in quite a while. Work piled up, travel to see my girlfriend, the needy cats requiring lap time – oh how to get it all in! The blessing I guess, is that this year I didn’t disappear because of SAD. I got a wonderful light that has been like a Goddess-send. It imitates sunlight and according to medical research, triggers chemicals that trick my body into thinking it’s summer and so I have more energy and am just happier. Love that!
I’m taking a writing class over the next few weeks with Michael Downing, a New York Times Bestselling Author. That feels a wee bit intimidating. But, in previewing the books he’s asked us to read before the first class, and the writing assignment he’s given us, I think this is going to be WAY fun!
As a matter of fact, the first writing assignment has me so excited that I may write it several times. My girlfriend and I had lots of great conversation about it over the holiday break, looking at our first assumptions regarding the scenario, and then deliberately thinking of alternatives. She’s quite the writer herself, so deconstructing the assignment with her really helped me think way, way, way outside the box!
I thought it would be fun to post the work I’m doing for this class here, and invite you (whoever you are) to play along! So, without further ado, (I actually looked up the spelling of this word and found that there is debate as to whether it’s ado or adieu,) the assignment:
There is a woman in a room. There is a door, a window, and a chair in the room. A man comes to the door. He says, “We’ll be with you in a few minutes. Don’t open the window.” He leaves. He returns. The window is open.
The assignment is to write a story that begins after the man returns. For this exercise, you can assume that readers know everything in the scenario, so you don’t have to account for that material. Your story begins as the man returns and sees that the window is open.
The technical requirements are these:
–No more than 250 words.
–Past tense.
–Third person (limited or omniscient; the idea is simply to use the convention of a narrator who is not a character in the story)
–Use only monosyllabic words. (Really.)
Okay, sounds like fun, doesn’t it? So now, here is what I wrote on my first go-round, before my girl and I had deconstructed the scenario:
Frank came back. “You had to do it. I told you not to.”
“Of course,” She had the smile of a cat in fresh cream. “No rules for me.”
He went to the sill. The ground five flights down was wet and slick with oil. Drops of rain caught in his hair.
“Be hard to get free, then.”
“Don’t bet on it.”
The sound of her breath came close. He felt her warmth on his back, her hand at his belt. “No Rae, I won’t play.”
“Oh, I think you will.” She spun him to face her, took his mouth with her lips, her length full force on him – just a lean, just a push.
When Bill came in, the sound of the rain was dull behind the glass, and Rae was in the chair, the gun snug in the small of her back.
“Where’s Frank?”
“He went out.”
So, I know, it’s debatable as to whether this is truly past tense. But, Oh My Goddess! I had so much fun writing it!
Tomorrow, or the next day, or just soon, I’ll post another version. In the meantime, come play with me and post yours!
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